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Hardware >Audio Interface, Digital Recorder, Effect

Photo: Mike Cameron

Is it an amp modeller? Is it a multitracker? Is it an audio/MIDI interface? We stomp the facts out of Digitech's new box..

Unless you have just returned from an extended period in a sensory-deprivation unit, it will have been impossible to miss the rise and rise of the guitar amp modeller, whether hardware or software based. Indeed, there are probably a whole generation of recording guitarists who have never even felt the urge to stick a microphone in front of a real guitar amplifier/speaker-cabinet combination. In terms of hardware amp-modelling units, two formats dominate: desktop/rack units such as the PodXT or Behringer V-Amp, aimed predominately at studio use, and pedalboard units such as the new PodXT Live or the Vox Tonelab SE, which are equally at home either live or in the studio.

Digitech, in one form or another, are a well-established player in this market. With products such as the rack-based 2120 Artist, the J-Station (under the Johnson brand name), the relatively budget RP-series of floor units, and the Genesis desktop amp modellers (the Genesis 3 was reviewed by Paul White back in SOS October 2001), they have a good pedigree. The GeNetX amp-modelling technology used in the Genesis series has continued to develop and has now found its way into the GNX floor units. Latest in this line, and at the top of the pile in terms of features and price, is the GNX4. However, the GNX4 is more than just a studio amp modeller. While its floorboard format means it is a live-performance unit, the GNX4 also includes a drum machine, an eight-track audio recorder, a mic preamp with phantom power, and a USB-based audio/MIDI interface with software supplied for both PC and Mac. Apparently, there wasn't room for a kitchen sink, but it is pretty clear why Digitech have given the GNX4 the 'guitar workstation' title.

What's Under The Floorboard?

As you can probably tell from the photographs, the hardware layout consists of three elements. The first of these is made up of the seven large-format (well, large enough if you don't wear size-12 boots!) footswitches and the expression pedal. These controls provide access to key features during live performance — although they also serve a useful function in the studio, as they can be configured to provide hands-free control for a number of functions. The second operational area, filling the remainder of the top surface, contains the controls for the eight-track recorder (on the left); the amp, cabinet, and effects modelling (centre); and the drum machine (on the right). Sensibly, these are all well out of the way of all but the clumsiest stamp in the dark. The third hardware element is the equally well-stuffed rear panel that contains all the input and output connectivity. Aside from the usual guitar input and quarter-inch line and headphone outputs, perhaps the most notable features here are a pair of balanced XLR outputs, a USB connection, a slot for inserting a Compact Flash card and, most surprisingly, a balanced XLR mic input supplied with phantom power.

Photo: Mike Cameron

However, the package doesn't stop there. Included in the box is the X-Edit patch editor utility (for both PC and Mac), sequencing software (Cakewalk's Pro Tracks Plus for PC or BIAS Deck SE for Mac), Lexicon's Pantheon reverb plug-in (again, for both PC and Mac platforms), and some decent printed documentation. A USB cable and the wall-wart external power supply are also included. Perhaps the only notable omission is a Type-1 Compact Flash memory card — users are left to provide their own for use with the built-in eight-track recorder. Installation of the drivers, X-Edit and Pro Tracks Plus all proceeded as described in the documentation using my PC test system, and 15 minutes from opening the box I was ready to experiment with any of the considerable array of the GNX4's functions.

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Model Performance

Despite the truckload of features, the core job of the GNX4 is, of course, to provide convincing guitar-amp and cabinet modelling. While the quality of the modelling and the processing power available have moved on, the basic functions of the GNX4 modelling are not that dissimilar to those of the Genesis 3 reviewed by Paul back in October 2001. For example, the GNX4 includes the same Warp option, where it is possible to blend between two different amp/cabinet model combinations to produce new tones.

As with most of the up-market amp modellers, the GNX4 provides models of a large number of effects. These include various classic distortions, wah, compression, pitch-shifting, noise gate, chorus/modulation effects, delay, reverb, and a selection of more synth-like processes such as Auto Ya, Ya Ya, and Synth Talk. In addition, pickup modelling allows a single-coil guitar to emulate a humbucker and vice versa.

Side-by-side comparisons with my own PodXT suggested little to pick between the two units in terms of the range of amp and cabinet models or the quality of the modelling, and I'd be more than happy to use either unit in a recording context. The quality of the effects is also excellent and, if anything, the range of effects on offer with the GNX4 is somewhat wider than that supplied by default with the PodXT. While guitar tones are always a matter of personal taste, on the whole the presets are very usable and do a good job of demonstrating the capabilities of the GNX4. All the sonic bases are covered, from sparkling cleans (such as the Twinverb preset) through to murderous metal (try Rectify) and the usual line-up of tones in the style of well-known guitarists are present (Carlos, Angus, and Eddie VH for example). I also found a number of the more effects-based presets served to get the creative juices flowing (such as Stutter, Trembo, and Divebomb).

The bundled X-Edit software editing utility provides easy access to the GNX4's modelling and effects parameters.

Of course, for any floor unit like this, a minor irritation can be accessing the various hardware controls when something other than switching presets or turning effects on/off is required. Fortunately, the GNX4 is supplied with the very competent X-Edit software. While this does not provide access to all the functions of the unit (for example, the audio routing or the eight-track recorder), for patch editing it is very comprehensive. Editing is performed through three main screens. The GeNetX screen provides access to the two channels of amp/cabinet modelling and the Warp function — the two models can be blended via the X-Y controller at the centre of the window. The Effects screen does pretty much what is says on the tin, while Expression Assign allows the footpedal and the two LFOs to be routed in various ways. While patch editing using the GNX4 control surface is straightforward enough, for

Digitech Gnx4 Downloads